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It’s often been said that George Lucas’ original work mirrors the likes of Kurosawa and spaghetti westerns, and that’s never been more true than in Rogue One as it slowly assembles its team. Sprung by the rebels (who all carry themselves like serious badasses, by the way), she’s sucked into a mission involving her father, the newly completed Death Star and a cast of resistance fighters and idealists all opposing the Empire in one way or another. Forced into a young adulthood on the fringes of the Rebel Alliance, she’s assembled a Jack Sparrow-esque rap sheet and, as the film begins, finds herself in Imperial prison on various petty charges. Our protagonist is Jyn Erso (Felicity Jones), a plucky young woman whose brilliant scientist father (Mads Mikkelsen) has been controlled throughout her life by the Empire and coerced into designing superweapons of the moon-sized, planet-killing variety. It is, so help me, a satisfyingly complete story, and I had no idea until I watched the film how refreshing that concept would be. It doesn’t “set the stage” for an inevitable next installment, and its characters are all the realer for the fact that they’re not perpetually sheathed in blasterproof Franchise Armor.
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Rogue One is a complete film in a way that no other Star Wars movie other than A New Hope is capable of being. It’s a triumphantly thrilling, serious-minded war movie that is incalculably stronger for the fact that it’s NOT the first chapter in a new franchise. Gareth Edwards’ venture into a galaxy far, far away is the Star Wars film we never knew we needed. But the point is this: There was at least reasonable cause to doubt that the magic of Star Wars could survive outside the world of the “Episodes.”įear not, for Rogue One is here to allay those concerns.
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If they thought that there was money to be made in opening an actual Imperial Academy and training little kids to fire their blasters wildly in “Stormtrooper Marksmanship 101,” they’d almost certainly pull the trigger on that venture. This is Disney, after all-they’re by no means averse to the business of making billions of dollars. When Rogue One: A Star Wars Story was announced as the first of several planned “Star Wars Anthology” films outside of the series’ main “Episode”-based chronology, fans could be forgiven if “cash-in” was the first phrase that swam to mind.